February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,

February 12–May 1, 2021 

CALS Roberts Library, Galleries at Library Square  

“Blood and soil.” These words have been used by Nazis and others as a rallying cry for racial purity, one of the most destructive concepts ever developed. When they are used as materials for creative expression, however, their elemental beauty lends itself to limitless constructive possibilities. Soil comes from the earth, blood from a sentient being.

The idea of working with blood as a medium came to me around twenty years ago while traveling in South Asia,